霍(huò )靳西微(wēi )微一偏头，吻上(shàng )她的耳廓，低声道：(🔢)有我(wǒ )在。山難發生，一名女警和(🐓)她正在追捕的連續(🔗)殺(👼)人犯(fàn )、一名醫生和(👫)醫生的女伴一同被(🐿)困在山中小屋。兇手宣稱(chēng )醫生才是真正的(😀)兇手。女警和(🍙)醫生一同挖洞逃生，但她漸漸開始起疑。千星连忙护住她，静默片刻，才终(zhōng )于开口道：沈先(xiān )生说的对，过去那么多坎(❎)坷他都(dōu )熬过来了，这一次，他(🆘)也一定能挺过去他忽然间闷声说道：梅(🏿)子，你(🌳)别哭了，我以后不(🏌)会让你吃苦了。The mainsteam Indian cinema conventioanlly represents India's farming communities as havens of rural bliss, peopled with comic peasants. The forest sets out to offer an alternative to this tradtional representation with its truer (and condierably more disturbing picture of an escalating feud between two villages in South India. Girish Karnad's first feature, made in the minority local language Kannada, it very much part of India's precarious but growing independent cinema; it bespeaks a determination to discuss topics that are central to the lives of millions of Indians rather than a desire to add to the torrent of escapist musicals, adventures and melodramas flowing out of the commerical studios. If Karnad's analysis of the situation in his film is hardly militant, it is nonetheless a brave attempt to face up to at least one aspect of the Indian reality.霍老爷子却仿佛已(♒)经听不到他(tā )的话，一直到霍靳西离开，他的生活秘书丁洋走过来，老爷子还在反(fǎn )复地念叨：怎么能说走就走(🛑)呢？这才回来几天，真是一点也不把我这个老头子放在眼里杰森·贝(bèi )特曼、劳拉(😮)(lā )·琳(lí(😋)n )妮和其他(🏝)演职人员一起畅谈剧中角色和创(🔴)剧人，以及他们最(zuì )怀念的人和事(🎵)，包含剧透伸出手指，指腹在这几个字(zì )上轻轻(🤧)抚摸(mō )一遍。在她即将失去所有知觉的瞬间，阴暗的房间内忽然传来砰的一声巨响！